Little Women

Primary & ElementaryAdvancedReading Comprehension

This exercise requires you to draw inferences about character traits and the challenges of early married life by examining contrasts in behaviour. Read the following extract carefully, noting Meg's expressed desires versus her actual reactions.

"Fired with a housewifely wish to see her storeroom stocked with homemade preserves, she undertook to put up her own currant jelly. John was requested to order home a dozen or so of little pots and an extra quantity of sugar, for their own currants were ripe and were to be attended to at once. As John firmly believed that ‘my wife’ was equal to anything, and took a natural pride in her skill, he resolved that she should be gratified, and their only crop of fruit laid by in a most pleasing form for winter use. Home came four dozen delightful little pots, half a barrel of sugar, and a small boy to pick the currants for her. With her pretty hair tucked into a little cap, arms bared to the elbow, and a checked apron which had a coquettish look in spite of the bib, the young housewife fell to work, feeling no doubts about her success, for hadn’t she seen Hannah do it hundreds of times? The array of pots rather amazed her at first, but John was so fond of jelly, and the nice little jars would look so well on the top shelf, that Meg resolved to fill them all, and spent a long day picking, boiling, straining, and fussing over her jelly. She did her best, she asked advice of Mrs. Cornelius, she racked her brain to remember what Hannah did that she left undone, she reboiled, resugared, and restrained, but that dreadful stuff wouldn’t ‘jell’.

She longed to run home, bib and all, and ask Mother to lend her a hand, but John and she had agreed that they would never annoy anyone with their private worries, experiments, or quarrels. They had laughed over that last word as if the idea it suggested was a most preposterous one, but they had held to their resolve, and whenever they could get on without help they did so, and no one interfered, for Mrs. March had advised the plan. So Meg wrestled alone with the refractory sweetmeats all that hot summer day, and at five o’clock sat down in her topsy-turvey kitchen, wrung her bedaubed hands, lifted up her voice and wept.

Now, in the first flush of the new life, she had often said, “My husband shall always feel free to bring a friend home whenever he likes. I shall always be prepared. There shall be no flurry, no scolding, no discomfort, but a neat house, a cheerful wife, and a good dinner. John, dear, never stop to ask my leave, invite whom you please, and be sure of a welcome from me.”

How charming that was, to be sure! John quite glowed with pride to hear her say it, and felt what a blessed thing it was to have a superior wife. But, although they had had company from time to time, it never happened to be unexpected, and Meg had never had an opportunity to distinguish herself till now. It always happens so in this vale of tears, there is an inevitability about such things which we can only wonder at, deplore, and bear as we best can.

If John had not forgotten all about the jelly, it really would have been unpardonable in him to choose that day, of all the days in the year, to bring a friend home to dinner unexpectedly. Congratulating himself that a handsome repast had been ordered that morning, feeling sure that it would be ready to the minute, and indulging in pleasant anticipations of the charming effect it would produce, when his pretty wife came running out to meet him, he escorted his friend to his mansion, with the irrepressible satisfaction of a young host and husband.

It is a world of disappointments, as John discovered when he reached the Dovecote. The front door usually stood hospitably open. Now it was not only shut, but locked, and yesterday’s mud still adorned the steps. The parlor windows were closed and curtained, no picture of the pretty wife sewing on the piazza, in white, with a distracting little bow in her hair, or a bright-eyed hostess, smiling a shy welcome as she greeted her guest. Nothing of the sort, for not a soul appeared but a sanginary-looking boy asleep under the current bushes.

“I’m afraid something has happened. Step into the garden, Scott, while I look up Mrs. Brooke,” said John, alarmed at the silence and solitude.

Round the house he hurried, led by a pungent smell of burned sugar, and Mr. Scott strolled after him, with a queer look on his face. He paused discreetly at a distance when Brooke disappeared, but he could both see and hear, and being a bachelor, enjoyed the prospect mightily.

In the kitchen reigned confusion and despair. One edition of jelly was trickled from pot to pot, another lay upon the floor, and a third was burning gaily on the stove. Lotty, with Teutonic phlegm, was calmly eating bread and currant wine, for the jelly was still in a hopelessly liquid state, while Mrs. Brooke, with her apron over her head, sat sobbing dismally.

“My dearest girl, what is the matter?” cried John, rushing in, with awful visions of scalded hands, sudden news of affliction, and secret consternation at the thought of the guest in the garden.

“Oh, John, I am so tired and hot and cross and worried! I’ve been at it till I’m all worn out. Do come and help me or I shall die!” and the exhausted housewife cast herself upon his breast, giving him a sweet welcome in every sense of the word, for her pinafore had been baptized at the same time as the floor.

“What worries you dear? Has anything dreadful happened?” asked the anxious John, tenderly kissing the crown of the little cap, which was all askew.

“Yes,” sobbed Meg despairingly.

“Tell me quick, then. Don’t cry. I can bear anything better than that. Out with it, love."

“The... The jelly won’t jell and I don’t know what to do!”

John Brooke laughed then as he never dared to laugh afterward, and the derisive Scott smiled involuntarily as he heard the hearty peal, which put the finishing stroke to poor Meg’s woe.

“Is that all? Fling it out of the window, and don’t bother any more about it. I’ll buy you quarts if you want it, but for heaven’s sake don’t have hysterics, for I’ve brought Jack Scott home to dinner, and...”

John got no further, for Meg cast him off, and clasped her hands with a tragic gesture as she fell into a chair, exclaiming in a tone of mingled indignation, reproach, and dismay...

Your Task:

What does the contrast between Meg's confident pronouncements about welcoming guests (paragraphs 3 & 4) and her reaction to John bringing Mr. Scott home unexpectedly (paragraphs 9 & 10) reveal about her character and the challenges of early married life?

💡 Writing Tips

  • •

    Look for specific phrases in Meg's earlier statements that show her ideal intentions. Then, pinpoint the words and actions that describe her reaction when the 'unexpected company' situation actually occurs. Consider how the pressures of her day, especially her failure with the jelly, contributed to her change in attitude. Think about the difference between ideal aspirations and messy reality.

📝 Sample Answer

Meg's earlier pronouncements in paragraphs 3 and 4 reveal her as an optimistic and idealistic young wife, eager to be a 'model housekeeper' and present a perfect domestic image. She proudly states, "My husband shall always feel free to bring a friend home whenever he likes. I shall always be prepared. There shall be no flurry, no scolding, no discomfort, but a neat house, a cheerful wife, and a good dinner." This shows her desire for a harmonious and welcoming home, reflecting a confident, if somewhat naive, belief in her ability to manage all domestic challenges with grace.

However, her reaction to John bringing Mr. Scott home unexpectedly in paragraphs 9 and 10 starkly contrasts with this ideal. Instead of a cheerful welcome, John finds a locked house, a messy kitchen, and a sobbing Meg who immediately cast him off, exclaiming with 'indignation, reproach, and dismay.' This reveals a more vulnerable, overwhelmed, and less composed side of her character. The failure of the jelly and the exhaustion of her day have stripped away her ideal self-image, exposing her human frailty and the reality of her inexperience.

This contrast reveals that while Meg has admirable intentions and aspirations for her married life, she is still learning and easily overwhelmed by unexpected challenges. It highlights the often stark difference between the imagined perfection of early married life and the practical, messy realities, especially for a young woman striving for domestic excellence. It shows that good intentions can quickly unravel when faced with real-world pressures and personal disappointments.

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