Charles’s Journey to Boarding School - London 11+ Consortium
Source extract
The headmaster's wife said, 'And this is Charles? My dear, we've been forgetting about you! In a minute I'm going to borrow Charles and take him off to meet some of the boys because after all you're choosing a school for him, aren't you, and not for you, so he ought to know what he might be letting himself in for and it shows we've got nothing to hide.' The parents laughed. The father, sherry warming his guts, thought that this was an amusing woman. Not attractive, of course, a bit homespun, but impressive all the same. Partly the voice, of course; it takes a jolly expensive education to produce a voice like that. And other things, of course, background and all that stuff. 'I think I can hear the thud of the Fourth Form coming in from games, which means my husband is on his way, and then I shall leave you with him while I take Charles off to the common room,' For a moment the three adults centred on the child, looking, judging. The mother said, 'He looks so hideously pale, compared to those boys we saw outside.' 'My dear, that's London, isn't it? You just have to get them out, to get some colour into them. Ah, here's James. James - Mr and Mrs Manders. You remember, one of our parents was mentioning at Sports Day.' The headmaster reflected his wife's style, like paired cards in Happy Families. His clothes were mature rather than old, his skin well-scrubbed, his shoes clean, his friendliness untainted by the least condescension. He was genuinely sorry to have kept them waiting, but in this business one lurches from one minor crisis to the next... 'And this is Charles? Hello, there, Charles.' His large hand rested for a moment on the child's head, quite extinguishing the thin, dark hair. It was as though he had but to clench his fingers to crush the skull, but he took his hand away and moved the parents to the window, to observe the broken window of the cricket pavilion, with indulgent laughter. And the child is borne away by the headmaster's wife. She never touches him or tells him to come, but simply bears him away like some relentless tide, down corridors and through swinging glass doors, towing him like a frail craft, not bothering to look back to see if he is following, confident in the strength of magnetism, or obedience. And delivers him to a room where boys are scattered among inky tables and rungless chairs, and sprawled on a mangy carpet. There is a scampering and a rising, and a silence falling as she opens the door. 'Now, this is the Lower Third, Charles, who you'd be with if you come to us in September. Boys, this is Charles Manders, and I want you to tell him all about things and answer any questions he wants to ask. You can believe about half of what they say, Charles, and they will tell you the most fearful lies about the food, which is excellent.'
The boys laugh and groan; amiable, exaggerated groans. They must like the headmaster's wife: there is licensed joking. They look at her with bright eyes in open, eager faces. Someone leaps to hold the door for her, and close it behind her. She is gone. The child stands in the centre of the room, and it draws in around him. The circle of children contracts, faces are only a yard or so from him, strange faces, looking, assessing. Asking questions. They help themselves to his name, his age, his school. Over their heads he sees beyond the window an inaccessible world of shivering trees and high racing clouds and his voice which has floated like a feather in the dusty schoolroom air dies altogether and he becomes mute, and he stands in the middle of them with shoulders humped, staring down at feet: grubby plimsolls and kicked brown sandals. There is a noise in his ears like rushing water, a torrential din out of which voices boom, blotting each other out so that he cannot always hear the words. Do you? they say, and Have you? and What's your? and the faces, if he looks up, swing into one another in kaleidoscopic patterns and the floor under his feet is unsteady, lifting and falling. And out of the noises comes one voice that is complete, that he can hear. 'Next term we'll mash you,' it says. 'We always mash new boys.'
Writing task
In September, Charles is driven to his new boarding school by his parents. Describe the journey, concentrating on his thoughts as he faces his first day and arrives at his new school.
💡 Writing Tips
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- Keep Charles’s fears connected to his earlier school visit.
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- Use sights and sounds from the car journey.
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- Show worry through thoughts and small actions.
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- Let the arrival change his feelings in a believable way.
📝 Sample Answer
The car moved steadily through the September countryside. Charles pressed his forehead against the cool window and watched the hedges stream past. In the front seat, his parents discussed the weather as though it were an ordinary Sunday drive.
It was not ordinary to him. Somewhere beyond those fields waited the school he had visited months before, and the boy who had whispered, “We always mash new boys.” Charles could still remember the crowded room, the unfamiliar faces and the roaring noise that had seemed to fill his ears.
“Looking forward to it?” his father asked brightly.
Charles nodded, although his stomach tightened. He wondered whether the other boys would remember him, whether he would find his classroom and whether anybody would sit beside him at supper. A solitary rook flew above a field, and Charles wished he could follow it home.
At last the school gates appeared. The same tall windows stared down at him. His mother squeezed his hand before he climbed out. Then a boy carrying a cricket bat stopped beside the steps.
“Are you Charles? I’m Edward. You can come with me.”
Charles hesitated, then picked up his suitcase. His fear had not vanished, but the path to the entrance suddenly seemed a little less long.
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